Charm Of The South

Emboldened by the summer breeze;

Sun beating on my weathered face,

Gravel crunching beneath my leather shod feet,

Each step draws me further back in time.

Aging plantations blossom from manicured fields,

Emblazoned with flora befitting their past grandeur.

The smell of honeysuckle and cyprus fills the air;

Wondrous is this coalition of scents to the senses.

Wrought iron gates entangled with succulent ivy

Announce the arrival of weary travelers.

Startled… I flush with uncontrollable tears

To realize this beauty is merely a facade.

Hiding ugliness in vibrant color and polished hedge,

Fountains and statues scream of their opulence.

This walk, I so leisurely stroll is etched in blood,

Hoed by chain and shackle;

We gawk in awe at these marvels of charm.

Reminiscing over Scarlett and Rhett;

Nothing but celluloid dreams of an imaginary south.

What of those treated as lesser crops,

Bought and sold like cotton and tobacco,

Building, maintaining, harvesting and subserving;

Flesh and blood herded as cattle…or something less!

Where is the romance…where is the southern charm?

Remember on whose backs this was built.

Remember whose backs were broken for a profit.

Remember on whose backs these estates were preserved.

Only then can you look through clear eyes and clear conscience

At what these really were…

Prisons.

 

~~ Dominic R. DiFrancesco ~~

 

Cloudless Sky – A Shadorma

Cloudless sky,

Granite peaks part blue

Bright canvas.

This painting,

Brushed from an artists palette,

A true masterpiece.

~

Perfection,

Born of natures hand

Is flawless.

To compare

With the mortal works of man

Would be an insult.

~

~~ Dominic R. DiFrancesco ~~

~

Author’s Note: The Shadorma is a poetic form consisting of a six-line stanza (or sestet). The form is alleged to have originated in Spain. Each stanza has a syllable count of three syllables in the first line, five syllables in the second line, three syllables in the third and fourth lines, seven syllables in the fifth line, and five syllables in the sixth line (3/5/3/3/7/5) for a total of 26 syllables. A poem may consist of one stanza, or an unlimited number of stanzas (a series of shadormas).  The information above was from http://en.wikipedia.org/wiki/Shadorma.